Archive for the ‘Puffy AmiYumi’

Going Five Better Than Stephen King05.05.08

For some mysterious reason, I started getting Entertainment Weekly delivered to my house months ago. I have no idea how this happened, but I’m not complaining – it’s a good Friday early-evening leaf-through, but when I discovered that Stephen King has been doing a monthly column, The Pop of King, for the weekly magazine, I started looking forward to every fourth Friday to see what he had to say about pop culture.

This week, he wrote about his “real Top 20” songs. “Real” as in they’re the ones he plays the most on his computer through iTunes when he’s writing. I actually do my listening on my iPod instead, but my iTunes keeps track as I’m always adding and removing albums and songs and podcasts.

I liked the idea of a Top 20 article based on one’s iTunes statistics enough to write about my own, but figured I’d go one – or is that five? – better than Mr. King and do a Top 25. Hell, doesn’t iTunes have a Top 25 Most Played smart playlist on every new installation of the program? (They do; I’ve long since done Top 100 and Top 500 playlists on there just out of curiosity; I’m sure a Top 1000 will happen at some point!)

I don’t know how many of these will surprise longtime Pagoda readers like I was surprised to see “Candida” or “Too Late To Turn Back Now” (very good choice in the latter tune, Stephen), but, like Mr. King said in his own column about his own list, the computer does not lie.

25. “SHABONDAMA” – Morning Musume (44) – One of the first Morning Musume singles I ever bought. I didn’t know it at the time, but my future favorite MoMusu made her debut on this track. 15-nin MoMusu is one of my favorite eras of the band so far.

24. “MISS LOVE TANTEI” (Rock In Musume remix) – W (Double You) (44) – No slag against the original version of what would, sadly, be Aibon and Nono’s last single (on my machine, its in the lower Top 50), but there’s something about this wild indie-rock fan remix that reminds me equally of both Sonic Youth and Dinosaur Jr. that had me gravitate more towards this version.

23. “I WANNA BE YOUR DOG” (Sessions@AOL version) (44) – Iggy Pop (with The Stooges) (44) – Recorded in 2003 to promote Skull Ring, this live-in-studio version isn’t available on iTunes anymore for some odd reason, but a little searching through YouTube will locate the actual video from this session.

22. “NIGHTS IN WHITE SATIN” – The Dickies (44) – The Dickies pretty much made their name taking cover songs and amping them up considerably (although it should be pointed out that lead singer/keyboardist Leonard Graves Phillips is one hell of a songwriter himself). This is one of their best rearrangements, taking a minor-key 6/8 Moody Blues chestnut and making it a joyous major key 4/4 rocker. Probably one of my all time favorite cover versions.

21. “RIOT INDUSTRY” – Cobra Verde (44) – Probably the most obscure thing on the list. Underground indie-rock darlings, this is probably Cobra Verde’s best known song and the opening track of their 2003 album Easy Listening, thanks to a video that has Mike Watt, George Wendt, and Rudy Ray Moore guest-starring in it. Watt himself liked the song so much that he did it as an encore selection on his 2004 tour.

20. “ROBOKISS” – W (Double You) (45) – I don’t know what kissing a robot that looks like Ai or Nozomi would be like, but there’s two lucky bastards out there that… um, never mind, I’m not repeating that joke from Cake Day again.

19. “BLACK NIGHT” – Deicide (45) – America’s most notorious death metal band leaves the Deep Purple classic black and blue.

18. “FIRST KISS” (Brazilian Mix) – Aa! (46) – I don’t know why this metal-based fan remix is called the “Brazilian Mix”, as it sounds more to me like Emperor than Sepultura, but this last (to date) contribution by the pseudonymous “#13 Root” to his long-running Evil Morning project always has me picturing Reina, Airi and Miyabi trying to hold on to their mic stands for dear life while Ishahn and company blast away behind them.

17. “PLETHYSMOGRAPH” – Jello Biafra and The Melvins (46) – The former Dead Kennedys singer and primary songwriter teaming up with the Seattle-bred punk/grunge pioneers for the albums Never Breathe What You Can’t See and Sieg Howdy! was pure genius.

16. “MAKE THE WEATHER” – The Waitresses (49) – Not as well known as “I Know What Boys Like” or “Christmas Wrapping”, but in my opinion, a superior song to both. The first single off their second album, this song should have made them a bigger band, but their label Polydor, as they were wont to do back then, dropped the ball. Seeing the video a few times on MTV back in the day still triggered me to look for the song when I first had iTunes.

15. “TROLLIN’” – The Stooges (49) – The opening track of their great reunion album The Weirdness. I was so glad to hear them do this song live when I saw them in concert.

14. “KOI NO VACANCE” – W (Double You) (52) – Their cover of the Peanuts’ classic – and the rest of Duo U&U – had me start an ongoing investigation into older Japanese pop music that continues to this day.

13. “CALL ME WHAT YOU LIKE (IF YOU LIKE ROCK-N-ROLL)” – Puffy AmiYumi (54) – The great English-language rocker from the US version of Splurge. A real record label would have pushed this song to the hilt.

12. “TACHIRI KINSHI” – Whiteberry (55) – Pop-punk at its most brilliant, no matter what the language. They’ve got guitars and rugby uniforms and they’re coming to kick your asses.

11. “HOW DO YOU LIKE JAPAN?” – Morning Musume (59) – A great album and concert opener and, at least according to iTunes, my favorite MoMusu album track.

10. “PISTOL PACKIN’ MOTHER FUCKER” – Hank Williams III (59) – From the “unreleased” and appropriately titled This Ain’t Country album, the tracks have circulated through file sharing since the original master scared the shit out of Curb Records.

9. “MORE THAN GOOD” – MX-80 Sound (70) – From their second album Crowd Control, now easily found on iTunes and eMusic along with their first album Out Of The Tunnel as the CD Out Of Control. MX-80 dropped the “Sound” from their name for that CD, but I still call them that here. This was grunge before there was even grunge (the album first came out in 1980 on Ralph Records).

8. “KANASHIMI TWILIGHT” – Morning Musume (71) – Yossi and Mikitty’s last single with the band, and they went out rocking. I’m surprised that I haven’t sat down and tried to tab this song out.

7. “POISON” – Johnny Angry (73) – There’s a slight bit of bias on my appreciation of this tune. The person singing lead and playing the Hammond B-3 organ on here is my pal Pete Mazich, who some of you might recognize as the organist on Mike Watt’s The Secondman’s Middle Stand album. Check them out at their MySpace page, http://www.myspace.com/johnnyangrymusic. It’s pretty cool that right now two angry breakup songs – this one and “Kanashimi Twilight” – are back to back on here.

6. “HELLO! ORANGE SUNSHINE” – Ai+BAND (74) – Great cover of the JUDY AND MARY hit by this apparently dormant-at-present female-fronted quartet. Thankfully, the album this is on, Hello! We Are Ai+BAND!!, is still in print.

5. “RESONANT BLUE” – Morning Musume (77) – I’ve only played their new single how many times so far?

4. “KOKO NI IRUZEE!” – Morning Musume (77) – Brilliant ska-punk from Japan’s sweethearts. The strings add to the frantic pace rather than detract from it.

3. “I WRITE SINS NOT TRAGEDIES” – Panic! At the Disco (80) – The only thing remotely close to a badmouth I will ever say about P!ATD is that their Mike Nesmith-esque habit of song titles that appeared nowhere in the song’s lyrics made it initially difficult to find out what this song was when I first heard it.

2. “JOINING A FAN CLUB” – Puffy AmiYumi (81) – I knew that frequent Puffy collaborator Andy Sturmer was in Jellyfish, but didn’t know that this was originally a Jellyfish song until I stumbled across it on iTunes. Giving this song a second shot at life via Ami and Yumi was a wise move.

1. “EGAO YES NUDE” – Morning Musume (127) – One of their best singles, ever. Prime MoMusu.

Posted in Aa!, Ai+BAND, Cobra Verde, Deicide, Iggy Pop, Jello Biafra, Morning Musume, Panic! At The Disco, Puffy AmiYumi, The Dickies, The Stooges, W, Whiteberry, iTuneswith 1 Comment →

A List That Took Two Years To Make04.10.08

Stuck In A Pagoda With Motoko Aoyama just passed its 2nd Anniversary mark recently. I didn’t make a big deal about it for several reasons… For one, I didn’t make a big deal last year either, and second, the actual date of this blog’s debut has been lost in the ether thanks to the ineptitude of a hair-metal-oldies-band drummer and his not-so-wonderful web hosting staff. I’m guessing that it was April 8th, 2006 when I started this blog, while at the same time I am tempted to make the “official” date April 11th because last year on that day I got to see The Stooges.

Rather than go through some lengthy bullshit on the past, I thought I’d take a cure from the liner notes of Fatboy Slim’s recent greatest-hits anthology and list some of the things this blog and its author have gone through since I started this project:

Two webhosts (only one of which I recommend, Bluehost)
Three laptops (a 2004 Apple PowerBook G4 until 3.17.08, a Dell Inspiron borrowed from my mother, and my present Dell XPS M1530)
Two iPods
Seven Morning Musume singles (counting “Resonant Blue”)
Seven personnel changes in Morning Musume
Three and a half Morning Musume albums (the “half album” being the 7.5 Fuyu Fuyu EP)
Six Berryz Koubou singles
One and a half Berryz Koubou albums (the “half album” being their misnumbered (3) Natsu Natsu Mini Berryz)
Five C-ute singles (all of their major-label releases)
Two and a half C-ute albums
Six Stooges albums (two of those being the remastered editions of their Elektra albums, another being a 180-gram pressing of Raw Power)
Two Koharu Kusumi albums
Four New York Dolls albums (three of those being vinyl editions of all three studio albums)
Four Puffy AmiYumi albums
Four Mission of Burma albums (three of them being the new vinyl reissues on Matador)
Two Panic! At The Disco albums
Two copies of Flyleaf’s first album (one autographed)
Two autographed Sick Puppies CDs
One guitar autographed by Iggy Pop and the Asheton Brothers
Four books autographed by Henry Rollins
One book autographed by Sen. Arlen Specter
One e-mail from Henry Rollins
Two e-mails from Jello Biafra
Three day trips to New York where I spent over $700 combined in one store (Virgin Megastore) alone
Four visits to Apple Stores where I spent $0 (and wish I had been able to spend several times what I spent at Virgin)
Five day trips to Philadelphia
Two day trips to Syracuse, NY
One Stooges concert
One Bon Jovi concert (goddamn motherfucking fuck!)
Two Flyleaf concerts
Two Evanescence concerts
Two Sick Puppies concerts
One missed Puffy AmiYumi concert (goddamn motherfucking fuck!)
Two 100-count spindles of CD-R’s
Two Palm Treo 680 smartphones
Four SD cards
Two phonograph needles (accidentally broke the first one)
Three disbanded Hello! Project groups
Three new Hello! Project groups (not counting Kira Pika and Milky Way)
Two people parting company with Hello! Project altogether one way or another
One Hello! Project-related project getting released in the States (Yo-Yo Girl Cop)
Six Wordpress themes
Four domain names (three for the Pagoda alone, the other for the Reina blog)
Two different Reina Tanaka/Robert Fripp header graphics (Vee improved on the original)
Two years without Ai Kago
One W album that’s gone the way of the original version of SMiLE
One Guns N’ Roses album finally being finished and handed in (whether it gets released may be another story!)
Two knocked-up MoMusus
Two instances where I bitched about Nozomi Tsuji getting knocked up
Three instances where I remarked about what a lucky bastard Taiyo Sugiura is
Three snarky remarks made by me about Avril Lavgine
One snarky remark made by “Reina” about Jamie Lynn Spears
One snarky remark made by me to “Reina” about Beyonce Knowles
Countless snarky remarks about American Idle
Three American Idle contestants losing their recording contracts
Four Reina Tanaka photobooks
One tire
Two illnesses
Two back-to-back NaNoWriMo wins
Three book projects (two simultaneous, one on hold)
One published short story (”The Man In The Hummer” in Deliver Us From Evil, available from Jaded Silence Press)
All three versions of American Wota
One nomination at the IntlWota Awards
Two jokes stolen from Jeff Dunham
One joke stolen from Nothing Nice To Say
Reina Tanaka’s 18th birthday
My 40th birthday
Mike Watt’s 50th birthday
Iggy Pop’s 60th birthday
Several boxes of CD sleeves
Countless mouse and camera batteries
Countless VitaminWaters
Countless instances where I took to heart David Peel’s adage that “fuck” is not a dirty word
A year and a half of lost blog archives (Fuck you, “Vikki Stixx”!)
Not enough trips to Starbucks
More money spent at CDJapan than at Gallery of Sound
More money spent this year on vinyl than CDs
And one girlfriend, since upgraded to fiancée.

Posted in American Idle, Berryz Koubou, Buono!, C-ute, GAM, Hello! Project, Iggy Pop, J-Pop, Kaori Iida, Maki Goto, Mike Watt, Mission of Burma, Morning Musume, New York Dolls, Ongaku Gatas, Panic! At The Disco, Personal, Puffy AmiYumi, Reina Tanaka, Viyuden, W, Writingwith 3 Comments →

Avril Lavigne Can Lick Ami’s and Yumi’s Cunts03.25.08

I almost threw up in my mouth when I read this on Tokyograph via IntlWota this afternoon:

It was made known on Monday that Puffy’s new single, “All Because of You,” was written by Avril Lavigne and singer/songwriter Butch Walker, who has produced for both Puffy and Lavigne in the past.

I’d love to know how this happened. As stated in the news item, Butch Walker worked with Ami and Yumi on some of the tracks from Splurge (including “Call Me What You Like”/”Shall We Dance” and “Tokyo I’m On My Way”) and Honeycreeper. Sadly, some money from Clive “Old And In The Way” Davis also lured Walker into working on some of Avril’s last album - the one with leitmotifs and styles stolen lock stock and barrel from the Rubinoos, Toni Basil, Peaches, and lord knows who else (besides Puffy AmiYumi). Either Avril, the fake punk married to another fake punk (one of the members of Sum41), had some guilt trips over biting on Ami and Yumi’s past work and is desperately trying to kiss ass, or our punk-poppin’ heroines from Japan caught wind of this little queef’s activities and decided to try to put her to work. Like every other composition credited to Ms. Lavigne, no doubt Walker will be doing at least 90 to 95% of the actual songwriting while Avril forces her way into an unearned equal share of the credit and publishing on the BMI and US Copyright Office forms (a situation not much different from Col. Tom Parker forcibly attaching Elvis Presley’s name and his own publishing company to songs his client recorded).

It doesn’t matter… Avril may have (falsely) declared herself to be “the motherfuckin’ princess” on her last album, but working for two queens of rock should knock her down a few thousand pegs. Avril can always use her cut of the royalties towards her impending plagiarism settlement with the Rubinoos.

Posted in Puffy AmiYumiwith 2 Comments →

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    Musical criticism from a J-Pop-obsessed punk rocker.
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